“Sometimes not having a lot of knowledge about an area can be a good very useful thing,” Christopher Weaver says. “It forces you to look at it with untutored or naive eyes.”
Thursday, September 19 at 5pm, hear Professor Condry on “the curvature of social space-time through Japanese music, from underground techno to pop idols.”
“It was only through working concretely with the Calla campaign that I truly learned of the challenges of communicating between researchers and artists.”
Recently, literary scholar Hannes Bajohr brought Megawatt another interesting step forward, by modifying the code to output the text in German.
First-of-its-kind field study of the media industry highlights trends, opportunities, and challenges to help advance the understanding and recognition of co-created works and practices
An innovative humanities program that applies critical analysis, collaborative research, and design across media arts, forms, and practices. More about Comparative Media Studies/Writing >
We provide a bridge between technology and the humanities, by examining the social and cultural impact of the changing media landscape.
As part of our mission of working across disciplines, cultures, and communities, we welcome visiting scholars and hire postdoctoral associates and fellows. Here’s the process.
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Weaver, founder of Bethesda Softworks, discusses how games work and why they are such potent tools in areas as disparate as military simulation, childhood education, and medicine.
Without serious commitments from governments and the private sector to follow through on this rhetoric, satellite Internet technology could fail to reach the communities that need it most.
To be presented at the 2019 International Conference on Human Interaction and Emerging Technologies.
William Uricchio’s essay “considers today’s AR technologies in terms of these more deeply embedded practices of augmentation, particularly as they play out as interfaces in urban places.”
Launched by the School of Architecture and Planning, the Initiative will partner with faculty across MIT, including those at CMS/W — a leader in transmedia storytelling studies going back to its founding in 1999.
“Despite being frequently associated with a scenic ideal, the landscape is not reduced to the myth of untouched nature.”
“Deviled Eggs” won third place in the Robert A. Boit Prize in the short story category of the 2019 Ilona Karmel Writing Prizes.
