MIT’s “3 Questions”: Making the 2021-22 School Year Work for Students
Associate Professor Justin Reich co-authors a new report on reimagining schools for a post-pandemic world.
Associate Professor Justin Reich co-authors a new report on reimagining schools for a post-pandemic world.
Wang, a beloved CMS/W colleague who founded the China-based media activism nonprofit NGO2.0, taught at MIT since 2001.
Congratulations to the CMS master’s alum, who shared the award as director and producer of Light & Space, part of KCET’s Artbound series.
“We want to make sure that all people are empowered to use A.I. in constructive, creative, and beneficial ways”
An innovative humanities program that applies critical analysis, collaborative research, and design across media arts, forms, and practices. More about Comparative Media Studies/Writing >
As part of our mission of working across disciplines, cultures, and communities, we welcome visiting scholars and hire postdoctoral associates and fellows. Here’s the process.
Online this year, the English Evaluation Test is required of certain incoming graduate students from non-English language academic backgrounds. It begins August 26.
An article by Vivek Bald
“They ‘bypassed the nation,’ as I had put it, and instead forged human connections that were on a local and transnational scale.”
An article by Justin Reich and Jal Mehta
“The students and educators in our study emphasized themes of healing, community, and humanity as key learnings from the pandemic year and essential values to rebuilding schools.”
Led by the our Teaching Systems Lab for all who currently teach or coach math in a district or charter school in Boston for all or part of their day in grades 3-8. Learn more on July 19.
It’s been a bizarre year-plus. But the twenty three of you made it! You’re still standing.
Kim’s Fulbright research in South Korea will investigate how virtual reality can facilitate cross-cultural learning and live performance art.
An article by Jing Wang and Song Sun
“The future of the Chinese online TV industry is increasingly organized as an ecosystem economy.”
Between technology and carefully crafted storytelling, it is the human imagination that remains at the core of any immersion.