As newspapers continue their mutation into digital formats and as news and information are available from a seeming infinity of websites, what do we actually know about the dynamics of news-consumption online?
How is new access to the power of the visual changing our journalism? What current projects are particularly significant?
Raney Aronson of FRONTLINE, documentary director Katerina Cizek, Jason Spingarn-Koff of the New York Times' Op-Docs, and the Guardian's multimedia editor Francesca Panetta.