Content tagged "media"
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In retrospect: Media, Arts & Design | AI Conference
What impact will artificial intelligence (AI) have on media, arts and design? Which case studies already exist? What examples are to be found in the past? And how will the […]
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Media Arts and Design | Blockchain Conference 2020 – a recap of the two-day online conference
“We recorded the entire conference from A-Z. Click here to see the full playlist on YouTube. Or just click on Ardor.Rocks, there every talk is marked with timestamps for easy navigation to the desired talk.”
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Register now (for free): Media Arts and Design | Blockchain Conference 2020 (Online: May 2-3)
Media Arts and Design | Blockchain Conference 2020 (May 2-3, 2020 @ Drexel University – 100 % online): Drexel University’s Department of Digital Media, supported by the Education Arcade @ […]
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Media Arts and Design | Blockchain Conference 2020 (Online: May 2-3, 2020 hosted by Drexel University)
Scientists, scene experts and specialists from academia and industry are cordially invited to submit proposals for delivering a talk or workshop with the option to contribute a chapter to the
planned anthology. -
Media in Transition 10: A Reprise – Democracy and Digital Media
Concepts of participation, trust, and democracy are increasingly fraught, essential, and powerfully repositioned. How will our news media look and sound in the next decade? What can we learn from news media of the past? What can international perspectives reveal about the variability and fluidity of media landscapes?
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The Print that Binds: Local Journalism, Civic Life and the Public Sphere
Local journalism is critical as a tool for informing citizens so they can be civically engaged and hold the powerful accountable, as well as keeping communities together.
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When to Start Freaking Out: Audience Engagement on Social Media During Disease Outbreaks
Sensationalism, gatekeeping, and media figurations mean audience engagement is not merely a journalistic, revenue‐oriented concern — it is a public health concern too.
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Imperial Arrangements: South African Apartheid and the Force of Photography
Kimberly Juanita Brown will focus on US news media coverage of apartheid in the last year of its existence, and the images that anchored viewers’ interpretation of the event.
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Podcast: Anne-Katrin Weber, “Between Participation and Control: A Long History of CCTV”
Anne-Katrin Weber explores the politics of CCTV, highlighting the adaptability of closed-circuit technologies, which accommodate to, and underpin variable contexts of media participation as well as of surveillance and control.
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Re-Enchanting Spaces: Location-based Media, Participatory Documentary, and Augmented Reality
“In keeping with an emphasis on new forms of storytelling, I propose a taxonomy for location-based media that distinguishes three different levels of participation and user agency: Consumption, Interaction, and Participation.”
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Toward Transformative Media Organizing: LGBTQ and Two-Spirit Media Work in the United States
We found that despite scarce resources, many LGBTQ and Two-Spirit organizations have an intersectional analysis of linked systems of race, class, gender, sexual orientation, and other axes of identity and structural inequality.
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Kara Keeling and Wendy Chun speak as part of “Racial Regimes, Digital Economies” symposium
With USC’s Kara Keeling on “Black Futures and the Queer Times of Life” and Brown University’s Wendy Chun on “Racial Infrastructure”.
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Video and podcast: “Virtual Reality Meets Documentary: A Deeper Look”
Featuring the leading creators in the virtual reality space, helping us better understand VR’s potentials and implications for documentary and journalism.
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Podcast: Lisa Glebatis Perks, “Media Marathoning and Affective Involvement”
Lisa Glebatis Perks draws from discourse gathered from over 100 marathoners to describe some of marathoners’ most common emotional experiences, including anger, empathy, parasocial mourning, nostalgia, and regret.
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Evaluating Interactive Documentaries: Audience, Impact and Innovation in Public Interest Media
This thesis explores the “theories of change” that inform institutional investments in documentary and examines how three public interest media organizations – the National Film Board of Canada, POV and the New York Times – are approaching interactive documentary production, attempting to define what constitutes success or impact.
