It is always difficult to select the right images for a website,
but it takes on new meaning when its a site that has at its heart
both tragedy, and the examination of media representations. Quite
honestly, my original instinct in designing this site was to stay
away from images entirely, fearing their power to
repel, and mesmerize.
But after an email from one of my classmates requesting the use
of photos somehow, I realized I was probably alone and
quite likely
misguided.
Against my own desires, I plunged into the photo
archives of Time,
CNN, and others. This was a task I dreaded. The
devastating impact
of watching these acts of terror live on television, or in video
repeat is one thing. Seeing these acts suspended through the lens
of a still camera is another. Still photography often
provides more
detail, and more time for the enormity of the recorded events to
sink in and stay a while.
I chose photos representative of what I had seen most often on
television, thinking rightly or wrongly, that if people
had to see
these photos, they might as well see those they most associated
with September 11. From these photos, I created the
first iteration of a collage for the front page of our
website.
I purposely blurred them, and removed the color, trying somehow
to dim the impact of the horror they represent.
The response from our CMS team was overwhelmingly against this
collage. Why? In a nutshell: Too stark, too shocking, and not the
right tone. What we were going for was reflection,
compassion, and
something different than what was available anywhere else. Those
scenes of terror can be found on many websites, but the
opportunity
to reflect and examine both our responses and the
responses of those
around us are few and far between.
I was profoundly relieved in some ways, but at a loss for how to
use any kind of image of anything in their place. Alex Chisholm
mentioned some video footage from MIT dedications and gatherings
that might work. That to all involved, sounded like exactly the
right tone.
I skimmed through images shot by my fellow classmates of MIT's
Killian Court memorial gathering, the dedication of
MIT's Reflecting
Wall, and other gathering areas within MIT. What I
found were compelling
images of grief, compassion, and gestures resembling that grasp
at understanding and hope in humanity we all so
desperately desire.
Below are the full-sized color versions of the images you see on
the front page of the website.

MIT War Memorial comemorating the men and women who
fought in World Wars I and II
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